#COMMERCIAL ARCHITECTURE PROJECTS
Hachette Headquarters
Jacques Ferrier Architectures’ project for Hachette Livre Headquarters in Vanves, France, is enveloped by a giant slatted blind, eschewing the mundane appearance of a traditional office building and creating a strong urban architectural image.
The broad lines of Jacques Ferrier Architectures’ project for Hachette Livre Headquarters in Vanves respect its urban location: the largest volumes are situated facing the street (Rue Jean Bleuzen), to the north, and the railway line, to the south.
The site analysis also revealed differences in scale that had to be taken into consideration: to the west, the street frontage abuts private houses, while a neighbouring office building to the east and a number of tall apartment blocks to the south-western are imposing presences on the site perimeter.Hachette Livre Headquarters, Vanves, Paris, France
Two key choices were very quickly identified. First, as the most visible angle of the site is the north-western corner, this is where the main entrance and esplanade are located. From this corner, the western facade deflects inwards, away from the site boundary, freeing up a generous outdoor area: here the papyrus garden is located, on to which all the building’s communal areas, reception spaces, show spaces, dining areas, and so forth, would look out.
All the offices benefit from direct daylight and outside views, and form what could be regarded as the building’s “inhabited envelope”. All the facades are fitted with a second skin in the form of a giant slatted blind, which filters the natural light. In this way, the facades are perceived as independent units, eschewing the mundane appearance of a traditional office building and creating a strong urban architectural image.The interior is the polar opposite of a conventional corridor lined with a monotonous array of doors on either side. The unique floor plan allows for a variety of flow options, and consequently also a flexible and adaptable distribution of spaces between the group’s various publishing houses and imprints across each floor. The result is a generous communal space, punctuated by loggias and patios, that links together a series of different atmospheres, encapsulating the individual personalities of the different entities present.
The core zone that concentrates the bulk of user flows forms the centre of gravity of this fluid space, linking it directly with the cafeteria and restaurant, which look out on to the papyrus garden, a unique landscape in the Paris region and an open-air extension of the ground floor in the summer months.
This garden, with its curtains of vegetation, not only forms a remarkable landscape but also creates a certain distance from the surrounding environment. While private, the garden is hinted at from the street, and accompanies the visitor from the esplanade through to the entrance hall. Visitors enter the building via the bookcase gallery, where a number of showcases display recent publications and illustrate the history of the group’s various publishing houses.
After leaving the reception area, they can access the upper floors via the central core. VIPs, on the other hand, are led through to the reception gallery, a cosier and more intimate extension of the bookcase gallery. This opens on to the boardroom and a meeting room, which, in conjunction with the adjacent cafeteria and restaurant, can be adapted to accommodate all kinds of events and activities.
In the reception gallery, a VIP lift serves the top floor, where the rooftop pavilion, an additional meeting and dining space, is located. It is set in the heart of a second papyrus plantation and boasts views up to the sky, creating a serene, sophisticated reception space.
