#PUBLIC ARCHITECTURE PROJECTS
AS architecture-studio encloses créteil cathedral with spherical shells
after six years, construction has completed for AS architecture-studio‘s ambitious expansion of the créteil cathedral in paris.
together with udo zembok and pascale zembok– who designed the dynamic glass arch feature–the capacity of the cathedral has been doubled and the sacred space given an identity. the overall project represents a major redevelopment, giving it a new architectural lease on life from a symbolic and pastoral point of view.
the new sanctum focuses on creating a more welcoming, and bright setting while becoming a recognizable place in the city. with the addition of a 25 meter bell tower, the previous church was designed by french architect charles gustav stoskopf who’s original plan influenced the new scheme. a dialogue has been established between the two architectural styles, contrasting but similar in geometry. this is illustrated by the dome which points towards the sky referencing the original footprint of the plan. the silhouette of the entrance, on a human scale, merges with the monumental proportions of the new project, focusing on the nave of the cathedral that extends from two spherical wood-clad hulls– symbolizing two hands joined in prayer that meet above the altar.
promoting a sense of community, the semicircular interior has influenced the organization of the seating which is now occupied by stands, allowing the capacity to be maximized. the dramatic, curving ceiling is highlighted by the inner hull molding punctuated by the repetition of spruce bows, where the inner arcs correspond to the diffraction of colored light from the stained glass.
during the day, the stained glass gives off a unique effect created by the three color constituents of light: red, green and blue. reflecting the trinity, this effect is reflected onto the timber arcs making up the ceiling, highlighting an ephemeral sense. at the same time, the glass window frames glimpses of the rising cross tower. the view onto the cathedral forecourt is freed by opening the curtain of trees. the new square, built by the city on the opposite side, is an amenity for local residents, and an extension of parish life.
‘the repetition of spruce arches gives rhythm to the interior decorative style of the hulls. thintention here is not to offer an optimal structure, calculated to the finest degree, nor to display any technical prowess, but to characterize the density of a sacramental space. there are as many arches as intertwining possibilities at the top of the dome.’ – AS architecture-studio